Ludwig van Beethoven
Asst. Chair Romantic Studies

- Title Asst. Chair Romantic Studies
- Office 881 Commonwealth Ave.
- Email beethoven@bu.edu
- Phone 617-358-8848
German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most acclaimed and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne in western Germany, he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven’s hearing gradually deteriorated beginning in his twenties, yet he continued to compose, and to conduct and perform, even after he was completely deaf.
Beethoven was the grandson of a musician of Flemish origin who was also named Ludwig van Beethoven (1712–1773). As of 1733 the elder Ludwig had served as a bass singer in the court of the Elector of Cologne. He rose through the ranks of the musical establishment, eventually becoming Kapellmeister (music director). The elder Ludwig had one son, Johann van Beethoven (1740–1792), who worked as a tenor in the same musical establishment, also giving lessons on piano and violin to supplement his income.
Beethoven’s first music teacher was his father. A traditional belief concerning Johann is that he was a harsh instructor, and that the child Beethoven, “made to stand at the keyboard, was often in tears”. Concerning this, the New Grove indicates that there is no solid documentation to support it, and asserts that “speculation and myth-making have both been productive.” Beethoven had other local teachers as well: the court organist van den Eeden, Tobias Friedrich Pfeiffer (a family friend, who taught Beethoven piano), and a relative, Franz Rovantini (violin and viola). His musical talent manifested itself early—apparently he was advanced enough to perform at the age of nine, not seven as popularly believed. Johann, aware of Leopold Mozart’s successes in this area, attempted unsuccessfully to exploit his son as a child prodigy. It was Johann who falsified Beethoven’s actual age (which was seven) for six on the posters for Beethoven’s first public performance in March 1778.